Wayang BEBER

Movies are several puppet art that appear and develop in Java in the pre-Islamic and is still developing in certain areas on the island of Java. , Called a puppet because the form of several slabs slabs (explanation), which formed a prominent figure in the story of the puppet both the Ramayana and Mahabharata.

Come by the Guardians of the Sunan Kalijaga several puppet this modified form of a puppet with the skin form of a ornamentik known now, because the teachings of Islam forbid images of living beings (human, animal) and sculptures of figures and given that no additional the puppet master copy (the original puppet with Indian leaders) are Semar and children and Puskas Hyang Kalimusada. Movies result of the modification of the guardian is used to spread the teachings of Islam and that we know now. Note also that the first several Movies and the original is still up to now can still be seen. Movies that several original can be seen in Pacitan, Donorojo, this puppet be held by someone who is trusted generations maintain and will not be held by the descendants of people from different because they believe that it is a noble mandate that must be maintained.

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Wayang Calonarang

Movies Calonarang also often referred to as Leyak Movies, is one of the leather puppet Bali that are considered haunted because in the run to reveal the many values and the magical secret pangiwa and panengen. Movies This is basically the puppet show, which specializes play-act a fool of Calonarang. As a form of art that perwayangan Performed as entertainment, art, puppet Calonarang still hold on the pattern and structure of staging skin traditional Balinese puppet (Movies parwa).
The puppet candidate charcoal leather involving around 12 players, consisting of:
* 1 puppeteer
* 2 adjuvant manipulator
* 9 penabuh
Among the play-act the normal be in the staging puppet Calonarang are:
* Katundung Ratnamangali
* Bahula Ambassador
* Pangęsęngan Beringin
Due to its unique puppet show striptease Calonarang located on the sisiya with his technique and game ngalinting scenes ngundang-ngundang in which the mastermind reveal or mention the names of those who practice pangiwa. Until now, there is still a puppet Calonarang in some district in Bali, although their popularity is still below the puppet Parwa.

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Puntadewa

puntadewa first born prabu guide dewanata, a king astinapura. born from goddess kunthi talibrata. from mother same he has two man younger brothers, that is bimasena and harjuna. while from goddess madrim other mother, puntadewa has twin brother, named pinten and tansen. fifth guide man child dewanata more knowledgeable with the title pandhawa five. besides has father pandudewanata, puntadewa known also as god child pendarma, named bathara dharma.
in general puntadewa assumed good figure, berwatak holy white, soft virtuous, patient, berbelas affection, loyal, doesn't want to disappoint another person, and loyal gives to belong to it to another person that want. even the wife once even also if asked, be given. because behaviour very good that's, puntadewa called as perfect human bleeds white, or human ajatasatru, mean human doesn't has enemy.
as first born, puntadewa prepared to be king. but pity, guide dewanata pass away when to five the childrens stills little, so that for country astinapura at entrust to guide elder brother that named destarasta, with promise that later after pandawa adult kingdom astinapura be extradited to puntadewa. but promise never menepati. its proof, after puntadewa and to four adult the younger brothers, kurawa that masterminded patih sengkuni try to kill them by lure into a trap it in a house and burn it alives. event known with the title" bale sigala-gala. " after tragedy expires, between ruins ruins, got six burnt mortal remains on fire, and that believed that them kunthi puntadewa and to four the younger brothers. thereby throne hastina safe from the heir. so soon duryudana, first born prabu destarastra coronate to be king hastinapura.
some years then, there message that is puntadewa, kunthi and fourth the younger brother above the ground and even in this time they are celebrating marriage puntadewa with goddess drupadi at country pancala. so that pandawa doesn't grab throne hastina, destarastra imply to duryudana to call them and give soil to puntadewa in the place of earth hastina. soil shaped forest that named wanamarta. although felt to treated inequitable, sincerely puntadewa and fourth the younger brother does big job, that is babad covering wanamarta.
narrated that covering wanamarta actually be a kraton" lelembut" very beautiful named indraprasta, prabu yudistira, the king name. he has four man younger brothers nameds dandunwacana, dananjaya and twin brother nakula, sadewa. in shadow play purwa, prabu yudistira and to four the man younger brothers its for difficult discriminated with pandawa five. prabu yudistira like puntadewa, dandunwacana much the same to with bimasena, dananjaya resemble harjuna, while nakula sadewa not far differ from pinten and tansen.
when puntadewa, adik-adik and supported subjects gathers at forest to begin fell forest wanamarta, prabu yudistira and brothers felt disturbed, they are angry and want to frustrate babad covering wanamarta. but that intention is known by harjuna, because he has heritage 'lenga jayeng katon if dabed at eye can see soft creatures. so roger battle between pandawa and kingdom administrators indraprasta.
in the end, prabu yudistira can beat. kingdom indraprasta extradited to puntadewa. soul prabu yudistira come into soul puntadewa, followed by soul dandunwacana consist with bimasena, dananjaya consist with harjuna, the twin nakula and sadewa slurr with the twin pinten and tansen.
after that event, miracle happens. dense covering wanamarta turns into pride palace and beautiful, by the name of indraprasta. puntadewa lifted to be king with degree prabu yudistira. and so do bimasena called also dandunwacana, harjuna called dananjaya, and pinten, tansen called also nakula, sadewa.
as pronunciation thanks god on success establishes palace indraprasta big and very beautiful, far exceed country astinapura, prabu yudistira hold offerings ceremony that called king offerings suya. in ceremony, prabu yudistira invite kings from one thousand countries, belong king astina prabu duryudana. in king offerings ceremony suya, visible grandeur prabu yudistira worship king from one thousand countries and also fame and country beauty indraprasta. of course prabu duryudana be envious. at mastermind by patih sengkuni, prabu duryudana want to grab country indraprasta. so composed sly strategy. prabu duryudana invite puntadewa to play dice in a party programme. in dice game top, puntadewa sacrifice country indraprasta along with its contents, and lose. finally puntadewa and brothers, also subject indraprasta evicted from palace. they are throwed away to forest and misery alive during 13 year.

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story in leather puppet

one of [the] story pewayangan java narateds about heritage creation genealogy jamus kalimasada. in the begining found a king nameds prabu kalimantara from kingdom nusahantara that assault kahyangan with the assistants, that is sarotama and ardadedali. with drive eagle banatara, kalimantara rummage residence gods.
king teacher god kahyangan ask receipt aid satrukem from hermitage sapta arga to quell kalimantara. by using the miracle, satrukem success kill all enemies gods. their body turns into heritage. kalimantara turn into book nameds jamus kalimasada, sarotama and ardadedali each be arrow, while eagle banatara be umbrella nameds tunggulnaga.
satrukem then pick fourth heritage and bequeath it according to by generations, until to the great-grandchild that named receipt wyasa or abyasa. when fifth grandchild abyasa, that is pandawa build new kingdom nameds amarta, heritages even also bequeathed to them as heritage mengeramatkan in palace.
between kingdom heritages amarta, jamus kalimasada occupied principal rank. puppetry stories a lot tell about enemies efforts pandawa to steal kalimasada. bevertheless holy heritage always return can be grabed by yudistira and fourth the younger brother.

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person leather puppet

person leather puppet is realization form from shadow play that demonstrated by human.
so this person leather puppet artistry is reflection from shadow play. the difference, this person leather puppet can move and berdialog self.
function and person leather puppet staging, beside as show usually sometimes also used to fulfill vow.
as in shadow play, lakon usually brought in also based on from babad purwa that is mahabarata person leather puppet and ramayana. leather puppet artistry one who alive these days basically consist of two currents that is style surakarta and style yogyakarta.
difference exist in between two currents found especially in dialog intonation, tan, and costume.
dialog in style person leather puppet surakarta more has realist as according to emotion stage and atmosphere that, and the intonation rather vary.
in style person leather puppet yogyakarta dialog menytilisasinya in such a manner and has monotonous pattern.
most of all group leather puppet one who met to use style dialog surakarta.
if anyway there difference, difference only found in dance or kadangkadang in costume.
to conduct person puppetplays in its entirety, usually wanted supporter as much as 35 person, consist and:
(1) 20 person as players (consists of man and woman);
(2) 12 person as penabuh gamelan tevens wiraswara;
(3) 2 person as waranggana;
(4) 1 person as mastermind.
in the theatre of person leather puppet, mastermind function also be stage manager not for the width of like in shadow play.
person leather puppet mastermind acts as scene transfer regulator, marked by ear mystique or monologue.
in dialog that said by player, pittance mixes mastermind hand. only give outline instructions. furthermore player self that must berimprovisasi with mengalognya as according to story channel that given by the mastermind.
costume pattern and make up person leather puppet is accustommed with form (pattem) shadow play, so that pattern never we find in life everyday. person puppetplays uses grand stand staging concept has realistic.
every movement from player is done with dance, good when enter grand stand, out grand stand, war and or anything else.
gamelan that used to like also in shadow play pelog and slendro and when not complete usually worn slendro.
long person puppetplays usually around 7 or 8 clocks to one lakon, usually done in bighttime.
show in the day time done very rare.
before show at begin often displayed pra-tontonan shaped attraction tari-tarian that called extra, there is no the connection with lakon principal.

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leather puppet madya shadow

leather puppet madya shadow play that created by mangkunegara iv as penyambung leather puppet story purwa with leather puppet gedog. leather puppet story madya be story transition purwa to banner story. one of [the] leather puppet story madya famous story anglingdarma. leather puppet madya not sempat bloom outside balinese temple environment mangkunegaran.
leather puppet story madya narated since pass away it prabu yudayana until prabu jayalengkara coronate. leather puppet story madya written by r. ngabehi tandakusuma with title pakem ringgit madya that consist of five volumes, and every full volume 20 stories or lakon.

figure in leather puppet madya
anglingdarma
batik madrim
anglingkusuma
gandakusuma
merusupadma
wil maricikunda

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Gatotkaca

Gatotkaca time borns, gatotkaca extant giant nameds putut tutuka. but when at kahyangan happen problem because invaded giant troop that led sakipu, gods borrows tutuka to bima. then gatotkaca win and get three presents from in god.

Grand price brevet aviator nameds" kotang antakusuma" make gatotkaca can fly swiftly without evoke supersonic explosion. second present hat nameds hat of farmer basunanda, has when does hot not feel hot miracle and rain doesn't be wet. third present, shaped shoe" in kacarma" has miracle will not accursed although across sacred regions. that book author commentates self such: " if age now, approximately like to wear astronaut. " may be, ably fly fast that, gatotkaca want patron motorcycle helmet and special shoe. . . .

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Bilung

Bilung a little giant that pals punakawan, he is friend from togog and where which always both. bilung described as figure from outside java that is malay. bilung frequently use java mixture language malay. every come in contact with petruk always challenge to fight take outside cocadoodledoo voice likes fighting cock. but once striken by petruk he is direct loses cry. in a few leather puppet story, bilung name that other tokun this is sometimes bilung impersonate to be punakawan that take side enemy. usually bilung will give good input to the boss. but when does the input not listened by the boss, he will turn to give various bad input.

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Sengkuni

Aryan sengkuni the young time nameds trigantalpati second son prabu gandara, country king gandaradesa with goddess queen gandini.
aryan sengkuni has three blood brother each named goddess gandari, aryan surabasata and aryan gajaksa.
aryan sengkuni get married with goddess sukesti, daughter prabu keswara country king plasajenar.
from marriage he gets three sons nameds; antisura/aryan aryan surakesti, aryan surabasa and goddess antiwati then memperistri aryan udawa, patih country dwarawati.
aryan sengkuni has characterization character; swiftly, silver-tongued, bad heart, envious and sly.
aryan sengkuni bot only expert in strategy and government order with ketatanegaraan, but also capable in process keprajuritan.
aryan sengkuni has extant heritage cis (=tombak short to rule elephant) that has merit can evoke when be implanted to the ground water.
in action bharatayuda, aryan sengkuni lifted to be senapati great kurawa after fall it prabu salya, country king mandaraka.
aryan sengkuni die considerably sadden on-hand bima.
the body is peeled and the skin is given to goddess kunti to liquidate the oath.
corpse sakuni then crush with bludgeon rujakpolo.

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why there punakawan?

Figure punakawan that consist of semar, nala gareng, petruk, and bagong, figures always menunggu-tunggu in every leather puppet presentation at java. actually, in original leather puppet story there is no figure punakawan. punakawan only" soft language" and " communicative language" created by sunan/guardians at java soil. figures punakawan made in such a manner medekati multifarious java society condition kind. guardians in islamic religion distribution always see condition masyarakat--baik from also from culture that bloom moment that. leather puppet is a effective media to submits this mission. but, guardians looks at that leather puppet story that carried from country originally, indians, obvious a lot smell hindu, animism, and menamisme. they also see pakem indians leather puppet less communicative. only asked to sit quiet see the mastermind perfomings lakon. sure not everybody want to enjoy scenes by scene a kind of this all night long. so, guardians creats a figure sekira can to communicate with onlooker, flexibleer, can to accommodate onlooker aspiration, funny, and above all, in perfoming figures punakawan this the mastermind can freeer submit the mission because can not too bound in pakem.

Figure punakawan memainkkan in session flutter. if payed accurately there resemblance in every puppetplays between one lakon and lakon other. in every leather puppet game beginning usually there is no scene bunuh-membunuh between tokoh-tokoh up to lakon flutter perfominged. why? in javanese philosophy, this matter is interpretted that don't our emotion memperturutkan in overcomes every problem. do all quietly, without pertumpahan blood, and major meeting. cermati formerly existing problem, don't conclude before detect the problem. when lakon flutter finished perfominged, then there scene that describe battle and pertumpahan blood. that can be interpretted that if meeting can not be done so there is a way of other that be goed in maintained truth. in islam even also, every religious proselytizing that done must use stages not differ from existing stages in the world of perwayangan this. in invite in truth/prevent kemungkaran, proselytizers initially must give warning (bi lisani) well; otherwise want, send a warning hardly; otherwise want, we can use our maximal ability in strive for penega truth (belong jihad, may be). well, lakon flutter describe crystal clear or open all errors, from dimly appear clear. this be a result from a famous prayer allahuma arinal haqa warzuknat tibaa wa'arinal bathila warzuknat tinaba. [yes allah tunjuki true appear true and give to me strength to run it, and tunjuki wrong appear wrong and give strength to me to avoid it. all be clear which true and wrong. up to end from leather puppet story, the figures that reside in white stripe will beat battle will oppose crime, after genuinely detect which true road and understand the problem.

figure name meaning

does meaning that implied in every figure punakawan this? let us perceive one by one:

semar: the original this figure comes from arabian language ismar. in word java tongue is--biasa read se. take example istambul be setambul. ismar mean nail. this figure is made pengokoh (nail) towards all existing truths or as. advicer in look for truth towards all problem. nail here can also memfungsikan as alive guide, pengokoh human life. what pengokoh that human life? bone other than religion. so that, semar not figure that mempuja, but creation semar only symbolization creation from religion as alive principle every people haves.

nala gareng: also mengadaptasi from arabic words naala qariin. in also word naala qariin be nala gareng. word naala qariin, mean to get many friends, this is as according to religious proselytizing guardians as religious proselytizing expert to get as much as possible friend (people) to return kejalan allah the almighty and most worthy of praise with wise attitude and good hope.

petruk: mengadaptasi from word fatruk. this word is base word from a mysticism advice that sound: fat-ruk kulla maa siwallahi, with the meaning: leave all anything besides allah. advice then be character guardians and missionary at that time. petruk also often called kanthong perforated mean hollow pocket. the meaning that every human must menzakat the treasure and extradite the body soul to allah the almighty and most worthy of praise sincerely, selfless and sincere, like the perforated pocket without hindrance.

bagong: come from word baghaa that mean to struggle. that is struggle towards evil and keangkaramurkaan. in version other word bagong come from baqa that mean eternal or eternal, will mean all only eternal alive after at hereafter later. only allegorized to call on ngombe world (merely call on to drink).

figures punakawan also functioned as pamomong (nurse) for another leather puppet figure. in principle every human wants the name pamomong, remember the weak human. pamomong can be interpretted also as patron. every human should always ask protection to allah the almighty and most worthy of praise, as introspection attitude towards all weakness in self. here's attitude philosophy pamomong that described by figures punakawan.

how does lamentable if several figures punakawan like semar mempuja-puji within reason god by partly belief follower. while all existing figures only is creation guardians to symbolize a conditon in their religious proselytizing mission distributes islam. for example semar told as a god (bathara ismaya elder brother bathara teacher) that go down to earth with incarnate to be human usually to run a holy mission. this matter is actually enough correct to describes allah manner the almighty and most worthy of praise demote islam in mankind without present direct allah figure as god on earth. undoubtedly all humans will be islam, if direct allah distributes islam under the sun. then at where does human independence location, if it does? human is let to choose all existing teachings. remember, human is given freedom to determine the destiny later at hereafter, as according to the choice at world. so, figure semar as god even also must be transforminged as human figure formerly, for permanent watch over human god's will as free creature chooses. look at also word semar badranaya. badra mean happiness and naya mean policy. to aim happiness, that is by lead people wisely and drive it to beribadah to allah the almighty and most worthy of praise. country stable if semar bersemayam at turtle stable hermitage. the meaning hold penyuwunan (penyu-) or allah presence request the almighty and most worthy of praise. religious proselytizing mission that consist in here, told and interpretted self the meaning by the maker that is guardians.

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Cakil

Cakil be a giant with jaw under longer than jaw on. this figure is java innovation and can not be met at indians.

in a puppetplays, cakil always deal with arjuna and or figure satria bew goes in flower war scene. this figure only is figure humoristis not serious but actually cakil symbolize figure bever give up and always struggle up to end blood points because in action flower cakil always killed because the kris self.

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TOGOG

In age Gods told god wenang hold prize contest to choose administrator kahyangan from third the grandchild that is bathara antaga (togog), bathara ismaya (semar) and bathara manikmaya (bathara teacher), for that prize contest mendakan by whoever from third the grandchild can gulp bulat2 and will vomit up to return mount jamurdipa so succumbed that chosen will be administrator kahyangan. in first turn bathara antaga (togog) tries to do so, but that even torn the mouth and so dower such as those which can we see in character togog now, turn next bathara ismaya (semar) that do it, mount jamurdipa can be gulped round but can not be taked again, and roger semar berperut distended caused by mount mendalamnya like can we see in character semar in shadow play. because prize contest tool destroyed has been gulped semar so rightful claimant has beatten prize contest and lifted to be administrator kadewatan the hyang manikmaya or bathara teacher, the youngest in the family grandchild from the hyang wenang.

as to bathara antaga (togog) and bathara ismaya (semar) final delegated to go down to earth (human world) to be adviser, and life true meaning prompter guardian and virture in human, which is on final semar chosen as guardian to knights berwatak good (pandawa)dan togog delegated as guardian to knights with bad character.

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WERKUDARA

Bima, bratasena, or werkodara, a protagonis from epic mahabharata. he is second from pandawa five brothers. He is known as pandawa strong and always coarse and frightened for enemy, although actually soft the heart. he is goddess son kunti.

Principal weapon bima nail pancanaka and bludgeon rujakpolo.

Bima assumed son than wind god, so one of [the] the nick name bayusuta.

Bima has three sons, that is antareja, gatotkaca, and antasena. name meaning bima loyal in one attitude, he doesn't like berbasa stale not ever posed twinning and not ever lick the saliva self.

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Sang Hyang Tunggal

Father from god ismaya (semar), god antaga (togog) and god manikmaya (teacher). in god episode ruci, he appears as god ruci and meet bima at sea floor south. the leather puppet form (in skin leather puppet) belong little, seukuran woman figures shadow play. this figure is seldom is perfominged in shadow play exhibition, because episode that show it really slimmest. they say not just any mastermind dares to perfoming this figure. the hyang single child from the hyang wenang

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Antareja

Antareja child from werkodara or bima from wife both nagagini a god daughter antaboga. narrated him a satria strong, magic.
Because the miracle that is must killed according to sadden because be orderred to lick former the foot palm self by prabu kresna, because too dangerous if antareja let to come along war baratayudha
The miracle: can into crust and walk inside.

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Kresna

Kresna or often written as krishna one of the primal figure in epic mahabharata. in story mahabharata, he is known as wise king figure, magic, and authoritative.
Prabu kresna be king dwarawati, kingdom yadu and be god reincarnation wisnu. kresna child basudewa, king mandura. he is gived as 3 bersaudara with the elder brother is known as baladewa and the younger brother is known as sumbadra, not other wife from arjuna. he has 3 wifes and 3 childs. the wife wife goddess jembawati, goddess rukmini, and goddess setyaboma. the child child raden boma narakasura, raden samba, and siti sundari.
In war bharatayuddha, he is coachman or coachman arjuna. he also is one of [the] principal adviser pandawa. prewar oppose karna, or in round that called karna contest as coachman arjuna he gives advice detailed to arjuna. his advice is known as bhagawad gita.
Kresna known as a very magic. he has ability to predict, change form is giant, and has victory flower kusuma that can bring to life to return one who die. he has also weapon that is called cakrabaswara that can used for smash world.

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Side pandawa

Side pandawa

1. Pandu Dewanata
2. Kresna
3. Heroine
4. Gatotkaca
5. Abimanyu
6. Parikesit
7. Drupadi
8. Antareja
9. Antasena

Pandu Dewanata
Pandu dewanata be father from fifth pandawa. guide dewanata has two wifes, that is kunti and madrim, Pandu dewanata be second child from three bersaudara, that is destarata actually be heir from kingdom hastinapura, but because blind so throne is extradited to guide dewanata, and widura, doesn't has miracle science whatever but has remarkable policy science especially area ketatanegaraan.

Actually Pandu dewanata can not has child because be cursed by a receipt, because at the (time) of session camouflage to be animal to be in love, Pandu dewanata shoot with arrow up to that receipt is killed. second guide wife dewanata contain by ask to god sesembahan they are each. guide dewanata final killed because a curse, and madrim follow the husband with burn self.

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Kurawa

side kurawa
1. king: duryudana, suyudana, destarata son, kutrupati, jakapitana
satria not want bersedekah same fellow, has envious srei same fellow, son from prabu destarata, satria blood reincarnation kuru, and when has young really me function.
1. patih: aryan sangkuni, aryan suman.
2. pendita: begawan receipt dorna, pendita drona, receipt kumboyana.
3. begawan bisma: begawan this is ever be senopati country astina and die prisip equal to kumbokarna from alengka, progress kepalagan war to defend soil earth births not to defend king astina jela-jelas not good, and the death by heroine that menitisi goddess amba.
1. dursasana: panegak kurawa from banjarajumrut
2. aswatama: son from receipt dorna
3. kartamarma
4. tirtanata
5. durmogati
6. citraksi
7. karna, basukarna, son sun: son from goddess kunti also mother from pandawa that befriend same raka astina prabu duryudana, because offended is not enter/admitted as member pandawa five.

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Arjuna

Arjuna name a figure protagonis in epic mahabharata. he is known as the pandawa winsome the face and the mind gentle. he is child prabu pandudewanata, king at hastinapura with Dewi Kunti or Dewi Prita, that is daughter prabu surasena, dynasty king yadawa at mandura. arjuna be close friend kresna, that is awatara (incarnation) bhatara wisnu that go down to world by resque world from crime. arjuna also be wrong one who sempat watching" universal form" kresna approach bharatayuddha go on. he also gets bhagawadgita or " saint song" , that is holy advice that is submitted by kresna to it a moment before bharatayuddha go on because arjuna still respect to carry out duty

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Bima / Werkudara

Bima, bratasena, or werkodara, a protagonis from epic mahabharata. he is second from pandawa five bersaudara. he is known as pandawa strong and always coarse and frightened for enemy, although actually soft the heart. he is goddess son kunti.
Principal weapon bima nail pancanaka and bludgeon rujakpolo.
Bima assumed son than wind god, so one of [the] the nick name bayusuta.
Bima has three sons, that is antareja, gatotkaca, and antasena. name meaning bima loyal in one attitude, he doesn't like berbasa stale not ever posed twinning and not ever lick the saliva self.

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Yudistira

Yudistira (sanskrit: yudhis. t. hira), a protagonis from epic mahabharata. he is eldest from pandawa five. he is king indraprasta and then hastina. he is goddess daughter kunti.
Yudistira assumed as justice god breed, god dharma therefore one of [the] the nick name dharmasuta, dharmaputra or dharmawangsa. besides he also is called puntadewa.
They say for a lifetime he only lie once, that is towards bagawan drona hit death aswatama.
Actually yudistira doesn't lie because he says to dorna (drona) that" elephant tama die" and elephant in sanskrit (cubit) the sound resembles with" aswa" . elephant named tama itself expressly kill by pendawa so that yudistira can say that thing to dorna so that dorna lose heart alive and korawa can be defeated in action bharatayuddha.
Although never lie, because this the deed later yudistira permanent get 'punishment without be permitted to enter kahyangan beforehand but must wait the brothers and sisters. this story is narrated in episode swargarohanaparwa, or latest book mahabharata. name" werkodara" the literal meaning" wolf stomach" .

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PANDAWA

Pandawa a word from sanskrit; pa-n. d. ava. literally this means child" pa-n. d. u" or guide. in epic mahabharata, pandawa protagonis while antagonist korawa.
Pandawa consist of five bersaudara from two different mothers:
1. Yudistira, puntadewa, dharmasuta, dharmaputra, dharmawangsa
2. Bima, bayusuta, werkodara
3. Arjuna, partha, janaka
4. Nakula
5. Sadewa, sahadewa
Besides this name, they have also names other. above this given several alternative names. names other this is usually bickname. for example name" werkodara" the literal meaning" wolf stomach" .

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Leather Puppet Figure

1 Leather Puppet Figure list
o 1.1 god - goddess leather puppets
o 1.2 ramayana
o 1.3 mahabharata
+ 1.3.1 pandawa
+ 1.3.2 side pandawa
+ 1.3.3 kurawa
+ 1.3.4 side kurawa
+ 1.3.5 not yet mempilah
o 1.4 punakawan
+ 1.4.1 central java version and east java, person skin/leather puppet leather puppet
+ 1.4.2 west java version, marionette
+ 1.4.3 friend punakawan
+ 1.4.4 heritage in java/sundanese leather puppet

Hereunder presented figures list that appear in epic story, ramayana and mahabharata often mempentaskan in the theatre of leather puppet:
[edit]

god - goddess leather puppets

1. the hyang single
2. teacher god
3. wind god
4. god wisnu
5. god kamajaya
6. god indra
7. god brahma
8. god narada
9. god yamadipati
10. sun god
11. moon god

[edit]

ramayana

1. rama victory
2. admiral
3. sinta
4. satrugna
5. subali
6. sugriwa
7. hanoman
8. rahwana
9. wibisana
10. dasarata
11. jatayu
12. sumitra
13. kosalya
14. sarpakenaka
15. anggada
16. anila
17. jembawan
18. parasurama
19. eagle jatayu
20. kumbakarna
21. wilkataksini
22. indrajit
23. trisirah
24. trinetra
25. trikaya
26. prahastha

[edit]

mahabharata

mahabarata narated coup between side pandawa and kurawa that still bersaudara. contention between second side culminate in a big war baratayuda.
[edit]

pandawa

1. yudistira
2. bima or werkodara
3. arjuna
4. nakula
5. sadewa

[edit]

side pandawa

1. guide dewanata
2. kresna
3. heroine
4. gatotkaca
5. abimanyu
6. parikesit
7. drupadi
8. antareja
9. antasena

[edit]

kurawa

1. dretarastra
2. duryodana, suyodana
3. dursasana


[edit]

side kurawa

1. king: duryudana, suyudana, destarata son, kutrupati, jakapitana

satria not want bersedekah same fellow, has envious srei same fellow, son from prabu destarata, satria blood reincarnation kuru, and when has young really me function.

1. patih: aryan sangkuni, aryan suman.
2. pendita: begawan receipt dorna, pendita drona, receipt kumboyana.
3. begawan bisma: begawan this is ever be senopati country astina and die prisip equal to

kumbokarna from alengka, progress kepalagan war to defend soil earth births not to defend king astina jela-jelas not good, and the death by heroine that menitisi goddess amba.

1. dursasana: panegak kurawa from banjarajumrut
2. aswatama: son from receipt dorna
3. kartamarma
4. tirtanata
5. durmogati
6. citraksi
7. karna, basukarna, son sun: son from goddess kunti also mother from pandawa that befriend same raka astina prabu duryudana, because offended is not enter/admitted as member pandawa five.

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Panakawan

In story pewayangan especially yogyakarta and surakarta known figure existence panakawan. pana mean to detect, realize troubleshoot that faced and can to give solusi-solusi. while friend or conjugate besides mean to number four, also can memaknai as friend or friend. they are semar along with third the child, that is; gareng, child oldest, petruk second child and the youngest in the family nameds bagong.
Principal task panakawan menghantar and memomong knight figure in look for and achieve the alive aim. connection between panakawan and knight figure connection very bent. sometimes their connection likes slave and bendara, serve and served. sometimes their connection likes within reason king and the people, the and subject, worshipped and worshipped but correcter connection between panakawan and knight likes second friend mutual communicating, interacted, discuss with the idea to finish and remove problems that get in the way in the effort achieves a aim. they are mutual grind (to sharpen mind and idea), asih (compassionate and love), bring up (to watch over and take care).

Knight figure success in achieve the aim very base on panakawan. if the knight poseds low heart can to build harmonic connection with panakawan, want to open heart to listen and carry out suggestion from figure panakawan, and poor alive willing, undoubtedly success reached. but if happen on the contrary, failure that got. because so the dominant character panakawan in determine success the knight, so then appear a question siapakah actually figure panakawan? symbolize to what them? why number four?

By dozens article and opinion that elaborate figure panakawan. mengantaranya that figure panakawan god or nature universal administrator ngejawantah is poor human to cooperates and help human effort so that can achieve noble aim. there also that have a notion that figure appearance panakawan this concurrent with a low class movement that want to demo people strength sesunguh. king and nobles (knight) that, will not ever success deliver the country towards welfare and welfare otherwise supported and at emong by people. such as those which described in leather puppet story that is a success and win in a wrestling gets ‘wahyu’ figure always followed by panakawan.

Meanwhile there that elaborate that to four panakawan be simbol from create, taste, karsa and work. semar has characteristic juts that is white tuft. white tuft at head as simbol from idea, clear brainchild or create, . gareng has characteristic that jut that is knotty kero, bertangan cekot and berkaki lame. to three physical defect symbolizes taste. eye kero, vigilance taste. hand cekot accuracy taste. lame foot carefulness taste. petruk simbol from wish, willing, karsa that described in second his arms. hand in front of looped with the index finger, hind hand in position holds. if moved, second hand like second one who cooperate well. hand in front of indicate, choose what mengehendaki, hind hand has held tight what chosen. while work is symbolized bagong with two hands fifth wide opened the finger, mean hard worker. create, taste, karsa and work be one unitary inseparable. create, taste, karsa and karsa stay in one area that named individual or man innermost, symbolized knight figure. ideal human description is human individual description intact, where create, taste, karsa and work can occupied the function masin-masing harmonicly to then walk along aim noble aim. thereby be clear that between knight and panakawan has connection significant. knight figure success in the alive and achieve ideal aim if is provided a clear idea (create)s, honest heart (taste), wish, round determination (karsa) and want to strive (work).

Allegorized a coachman (human spirit) drive a carriage that pulled four horses (creates, taste, karsa and work). how does that carriage walk to achieve aim very depend on ably coachman in restrain and optimize the eazel. if the skilled coachman undoubtedly to four the horses compact berderap will face to aim target. hindrance that intercept at road will not make carriage will fall and not can to get up to return. most carriage will decrease speed a moment to then will face to return.

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Leather puppet Krucil

Leather puppet krucil made leather puppet kind from flat wood. this leather puppet hand is made from skin that studed. differ from another leather puppet, leather puppet krucil has made handle from aftermath the ingredient. leather puppet krucil, they say first time created by prince yells from surabaya
At leather puppet central java region krucil has form that resemble with leather puppet gedog. Actor wear dodot rape, berkeris, and use enclosing head tekes (fan). while, at east java actor a lot resemble shadow play purwa, raja-raja bermahkota and wear praba. At central java, the king figures forms to rivet or eagle mungkur.
Story that worn in leather puppet krucil usually take from banner period kudalaleyan at pajajaran up to period prabu brawijaya at majapahit. but, doesn't close leather puppet possibility krucil wear leather puppet story purwa and leather puppet menak, even from babad java soil even if.
Gamelan that used to escort this puppetplays very simple, berlaras slendro and rhythmical playon bangomati (srepegan). but, sometimes leather puppet krucil use gendhing big, like leather puppet krucil palace surakarta entire made the bodies from skin.

Figures
Several leather puppet figures krucil:
damarwulan
menakjingga
layangseta
fly kumitir
logender
prabu kencanawungu
patih air
wahita
puyengan
duke sindura
menak koncar
ranggalawe
buntaran
watangan
anjasmara
banuwati
panjiwulung
sabdapalon
nayagenggong
jaka sesuruh
prabu brawijaya
angkatbuta
ongkotbuta
dayun
melik
klana candrageni
klanasura
teach pamengger
dewagung walikrama
dewagung baudenda
daeng marewah
daeng makincing

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Wayang Purwa ( Leather Puppet Purwa )

As according to the name, made shadow play from hide (buffalo, cow or goat). shadow play is worn to demonstrate story from babad purwa that is mahabarata and ramayana, therefore called also leather puppet purwa.
Up to now skin puppetplays besides to be also be one part of the custom ceremonies like: clean village, ngruwat and others.
To stage skin puppetplays in its entirety wanted approximately as much as 18 supporters. one person as mastermind, 2 person as waranggana, and 15 person as penabuh gamelan tevens wiraswara.
Average show in one evening 7 until 8 clocks, begin from clock 21.00 until clock 05.00 morning. when done in the day time show usually begun from clock 09.00 up to clock 16.00.
puppetplays place is configuringed by using stage concept has abstract. stage arena consists of sail shaped white cloth and as tool tehnis at under it put banana stick to implant leather puppet.
in the theatre of shadow play, scene total in one lakon can not. this scene total will vary based on lakon that demonstrated or depending the mastermind.
As before play, tetabuhan there is no the connection with main story, so has only as atmosphere warmer or messenger to step into to show actually.
As guide in will present skin puppetplays usually a mastermind will use pakem puppetry shaped puppetry book.
But there also mastermind that use note from old masterminds the erudition is got via breed. bevertheless, a mastermind is given to chance also to berimprovisasi, because pakem puppetry actually only full main story kernel.
To be more bring to life atmosphere and make to show to be more interesting, improvisation with this mastermind creativity holds part vitally. face makeup colour in has symbolic meaning, but there is no general rule here.
Red makeup colour for for example face, a large part show angry rude character, but figure setyaki that has high colour makeup colour not angry rude figure. so leather puppet character is not determined by face makeup colour, but also determined by element other, like form for example (pattem) itself leather puppet.
figure arjuna, both for has black face colour also yellow, Permanent arjuna with sifat-sifat that we have known. face colour difference likes this just for distinguish space and the appearance time. arjuna with yellow face colour mempentaskan for scene in kraton, while arjuna with black face colour is showing that he on the ro. such also the things of with figure gatotkaca, kresna, werkudara and others.
This leather puppet face colour difference will not be known by onlooker that see to show from hind sail.
Light facilities that worn in the theatre of shadow play from formerly up to now many experience change as according to technology development. in the form of the original light facilities that worn in skin puppetplays blencong, then round into soil oil lamp (keceran), petromak, now a lot is using electric light.

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Bagong ( Punokawan )

Bagong name one of [the] figure punakawan in javanese leather puppet story middle and east java. in javanese leather puppet story west he nameds cepot or name more wholy that is astrajingga.
Bagong third child from semar with the mother sutiragen. armedly machete, bagong, the job always make joke, doesn't care to whom even also, good kesatria, also gods. bevertheless via his the joke joke gives advice, advice and criticism.
Lakon usually taked by mastermind in the middle of story, always accompany kesatria and used mastermind to submit free message message for beholder and onlooker, good that is advice, also advice and teasing allusion of course submitted according to joke.
In action, bagong usually come along war with bring machete. opponent predominantly giants always be the machete preys. but, bagong often feel unable to cope with if oppose kesatria opponent.

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Semar - Ponokawan(Java shadow play figure)

Semar Badranaya figure punakawan in java/sundanese leather puppet has character principaler than leather puppet babon (leather puppet with indians original figure). be incarnation from bambang ismaya eldest child from the hyang single.

Birth semar
The hyang wenang berputra one that named the hyang single. the hyang single then bigamous goddess rekatawati giant crab daughter that named rekata. on a certain day goddess rekatawati lay eggs and with strength from the hyang single. egg fly to look out on the hyang wenang, final egg hatch self with various miracle that espouse it, where does the egg skin be tejamantri or togog, white the egg is bambang ismaya or semar and yellow the egg is manikmaya then be teacher god.
in story other egg hatch menajadi sky, earth and light or twilight. so that said that semar dominant figure as earth patron.

Rivalry on successful in lead

They are bertiga very magic and all want to have the authority to like the father the hyang single, but be debate causing falling-out. narrated on (intelligence (? ) or keculasan (? ) manikmaya) actually he has willing equal to they, manikmaya submit race suggestion to gulp mount then vomit up it to return. from here many lessons that can be taken because that mount be a certain to implant or mengokoh earthing position but raced to gulped although then to vomitted up to return. then lesson that taken don't memperebut something that bot his right with don't incited by suggestion apparently good and logical.
Tejamantri that begin first race obvious fails to gulp mount, caused by insufficient the science so happen change towards the mouth. bambang ismaya then out for gulp a mount and success but something that has been gulped certain will change and bambang ismaya can not vomit up it to return so that happen physical change in the stomach that expands. according to science memadai but less to vomit up it to return.
Because gulp mount here's so form semar be big, fat and round. the body proportion in such a manner so that visible as a dwarf. the body proportion in such a manner so that visible as a dwarf, he is informed even go to tell periha second the elder brother to the hyang wenang. on message from manikmaya the hyang wenang will make that manikmaya that will get mandate as router and be king gods.

Consequence is eaten provocation and can not self

Bambang ismaya and tejamantri must go down kebumi, to take care breed manikmaya, both only may look out on the hyang wenang when manikmaya act inequitable. from here seen with eaten play one against another rumors obvious bambang ismaya and tejamantri go down only as breed patron manikmaya, good we can take lesson here and good our nation is this don't wants mengadu sheep again.
In story semar accuse to happen disagreement between teacher god that camouflage to be receipt wisuna with semar where does teacher god lose the batural existence because affection taste towards time god the child. semar experience duel with receipt wisuna bone other than teacher/the younger brother god self, where semar hitted weapon trisara so that causes semar accuse to the hyang wenang.

To go down degree and replaced name
The hyang wenang then replaced their names.
1. Manikmaya be teacher god.
2. Tejamantri turn into togog.
3. Bambang ismaya change name is semar.

Task and function

Elder brother from teacher god that dominate swargaloka. reside in earth to give advice or advice advice both for kings pandawa and also to audiens of course knight. has heritage hyang kalimasada menitipkan to yudistira that be principal heritage pandawa. has three childs from the wife sutiragen, in also east central java version: gareng, petruk, bagong. while in the sundanese version nameds: astrajingga (cepot), dawala, and gareng (the youngest in the family).
Semar badranaya village-head figure from village (cliff) tumaritis that be part from kingdom amarta under leadership yudistira. although the part village-head yet it is often memintai aid by pandawa and the children knight even by god kresna self when happen difficulty.

Intensity semar

Here only be unfolded just part from intensities semar, is;
This figure is with figure punakawan another is made by guardians mengantaranya sunan kalijaga in menebar islamic religion at java that pass culture acculturation. with figure existence punakawan, leather puppet story performance is more alive caused by dialog and interaction between mastermind (leather puppet) with audiens with be central masterminds in submit advice advice in lakon or exhibition may be can not by when not use figure figure punakawan. heritage term hyang kalimusada be epitomizing two creed sentences.
Another intensity has vision tejamaya, very memperebutkan by pandawa also kurawa or whoever that want to lead this nature, best dominate vision tejamaya this.
Because semar gulp mount so there that consider that semar be lamabang from also universe, equally semar assumed equal to fair queen intelligence, although part semar as assistant, the deed shows that he principal figure or main and not he is marginal figure or little chaffy. modesty in general javanese consider as sign that that man get of best of self and vinicity and has also earthly desire curb strength every time and not influenced by it. as eldest figure but semar doesn't want to hold worldly power desire.
Basically follow miracle myth semar this only just limited

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Gamelan

Gamelan ensembel music usually signalize metalofon, gambang, drum, and gong. orchestra gamelan majority found at java, madura, balinese, and chili in indonesia in so many size kind and form ensembel. at balinese and chili in this time, and at java via century ke-18, gong term more assumed synonym with gamelan.
Penalaan and orchestra maker gamelan a complex process. gamelan use four manners penalaan, that is sléndro, pélog, " degung" (special sundanese region, or java west), and " madenda" (also known as mengatonis, same like original minor scale many is worn at europe.
Kinds gamelan

Gamelan java
Gamelan balinese
Gamelan sundanese
Gamelan banyuwangi
Gamelan banjar
Gamelan kutai
Gamelan boufant
Gambang kromong
Gambang semarang
Gamelan america (american gamelan)

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Dalang

Mastermind in the world of pewayangan interpretted as somebody that has specialty perfomings doll wayang(ndalang). this skill is usually is got from talent goes - temurun from the ancestor. a mastermind child can mendalang without learn formally. he will follow the father whilst mendalang with will present device, configuring grand stand, regulate leather puppet (nyimping), be pengrawit, or will sit behind the father to will help to prepare leather puppet that be perfominged.
During follow the father" ndalang" in old ones range of time -dari little up to remaja- here's that study process happens considerably natural, and average mastermind child can mendalang after big later. but quite a few a mastermind child will not be mastermind at later then day, because has alive choice self, for example berprofesi be public servant, private, tni and sebagain.
But that phenomenon not forever true, with good puppetry schools existence setingkat s and college, like indonesia art college puppetry direction surakarta (stsi) for example (now indonesia art institute surakarta), print puppetry scholar not only mumpuni perfoming leather puppet but also berwawasa vast and think critical. in college here's born also mastermind not from breed a mastermind, but only somebody that has strong intention to learns mastermind and final can mendalang.
Mastermind word there that interpret to come from word dahyang, mean expert penyebuh assorted disease. mastermind in" jarwo dhosok" interpretted also as" ngudal piwulang" (spread science), give enlightenment to penonto. for that a mastermind must has provision keilmuan very many. various science area of course must be studied although only a little, so that when in build contents from story accustom with age development and values kekinian.
Mastermind a stage manager, author lakon, a narrator, a character player, accompaniment composers, a" singer" , stage orderer, dancer and other as it mastermind the conclusion somebody that has double ability, as well as a manager, at least a leader in the theatre of to all the member (pesinden and pengrawit)

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Shadow play indonesia

Shadow play indonesia folk art, most off all bloom at java and at eastside malaysian peninsula as in kelantan and engganu. shadow play is perfominged by a mastermind also be leather puppet figures dialog narrator, with escorted by music gamelan that perfominged a group nayaga and sing javanese song by pesinden. mastermind perfomings shadow play at the opposite of kelir, that is made sail from white cloth, temporary at the hind radiated electric light or oil lamp (blencong), so that onlookers that reside in side other from sail can see leather puppet shadow that fall to kelir. to get the picture story wayang(lakon), onlooker must has erudition leather puppet figures the shadow will come up at sail.

Skin puppetplays has been admitted by unesco on 7 novembers 2003, as culture work astonishing in the field of narration story and beautiful inheritance and valuable (masterpiece of oral and intangible heritage of humanity). shadow play popularer at part java middle and east, while a more regular marionette is perfominged at west java

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