person leather puppet

person leather puppet is realization form from shadow play that demonstrated by human.
so this person leather puppet artistry is reflection from shadow play. the difference, this person leather puppet can move and berdialog self.
function and person leather puppet staging, beside as show usually sometimes also used to fulfill vow.
as in shadow play, lakon usually brought in also based on from babad purwa that is mahabarata person leather puppet and ramayana. leather puppet artistry one who alive these days basically consist of two currents that is style surakarta and style yogyakarta.
difference exist in between two currents found especially in dialog intonation, tan, and costume.
dialog in style person leather puppet surakarta more has realist as according to emotion stage and atmosphere that, and the intonation rather vary.
in style person leather puppet yogyakarta dialog menytilisasinya in such a manner and has monotonous pattern.
most of all group leather puppet one who met to use style dialog surakarta.
if anyway there difference, difference only found in dance or kadangkadang in costume.
to conduct person puppetplays in its entirety, usually wanted supporter as much as 35 person, consist and:
(1) 20 person as players (consists of man and woman);
(2) 12 person as penabuh gamelan tevens wiraswara;
(3) 2 person as waranggana;
(4) 1 person as mastermind.
in the theatre of person leather puppet, mastermind function also be stage manager not for the width of like in shadow play.
person leather puppet mastermind acts as scene transfer regulator, marked by ear mystique or monologue.
in dialog that said by player, pittance mixes mastermind hand. only give outline instructions. furthermore player self that must berimprovisasi with mengalognya as according to story channel that given by the mastermind.
costume pattern and make up person leather puppet is accustommed with form (pattem) shadow play, so that pattern never we find in life everyday. person puppetplays uses grand stand staging concept has realistic.
every movement from player is done with dance, good when enter grand stand, out grand stand, war and or anything else.
gamelan that used to like also in shadow play pelog and slendro and when not complete usually worn slendro.
long person puppetplays usually around 7 or 8 clocks to one lakon, usually done in bighttime.
show in the day time done very rare.
before show at begin often displayed pra-tontonan shaped attraction tari-tarian that called extra, there is no the connection with lakon principal.